Intricate carvings of Hindu gods and goddesses, dancing girls and dwarfs, elephants and mythological creatures, scenes from the Ramayana and the Mahabharata completely covered the inner and outer surfaces of the temple. The soapstone used made exquisite details possible and the stone's later hardening kept the detail crisp over all these centuries.
After a leisurely ninety minute walk around the star-shaped main building listening to Minaka's recounting of various stories connected with the images crowding the walls, we were even more impressed than when we had started.
Minaka then took us to a little visited nearby Jain basadis (temple complex). The Hoysala monarch responsible for Hoysaleswara converted fro Jainism, but his wife did not; the temple we toured was one of those at which she worshiped. It, too, was fascinating, especially since it featured the first Jain imagery we've encountered.



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